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After three years in development, Xfer Records has at last released its eagerly awaited wavetable synthesiser, and a quick glance at the feature list makes it apparent that Serum (VST/AU/AAX) represents an earnest attempt to produce nothing less than the world’s most advanced instrument of its kind.

For starters, fancy software engineering techniques have been employed to create oscillators that produce inaudible amounts of aliasing (the inharmonic artifacts that can occur in digital audio).

The result is that Serum’s oscillators sound cleaner and slightly brighter than what we’re used to hearing from synth plugins. It’s most noticeable when playing high-pitched parts, immediately setting it apart from everything else on the market.

The A and B oscillators are built around the most advanced wavetable engine we’ve ever seen. You get a 2D waveform view by default, but clicking it reveals a beautiful 3D wavetable display that indicates the current wave cycle, or ‘frame’.

Waveforms can be blended statically or dynamically using regular crossfading or harmonic/spectral morphing, the latter mutating from one to the next by adapting the level and phase of individual frequencies.

You can import your own audio to create custom wavetables, but Serum has a full-spec wavetable editor built in to cater for the more hardcore user.

Under the ‘table

The wavetable editor enables you to manipulate the waveform on a graph display using an assortment of tools that vaguely remind us of the Performer in NI Massive, although with very different results, of course.

Alternatively, you can edit the waveform by adjusting frequencies on an additive graph (similar to that of Camel Audio Alchemy), or process/generate it using preset functions and mathematical formulae.

There are more editing options than we can possibly cover here in full, which is an ongoing theme with Serum – Xfer seems to have thought of everything, or at least made its best effort to.

A third oscillator is on hand in the shape of the sub generator (although it can be transposed up or down by four octaves, so the name is a bit of an understatement), which sports six basic waveforms.

The noise generator is in fact a stereo sample player, pre-loaded with every flavour of noise you’re likely to need. These include basic white noise variations as well as output noise sampled from classic hardware synths, and some ‘otherworldly’ alternatives.

The noise generator can run looped or in one-shot mode, so it’s ideal for synthesising percussion instruments – it even comes with a selection of drum kit sounds and a very handy set of kick drum transients; and you can also import your own waves.

The filter module takes its list of types from Xfer Records’ LFOtool and so includes a good variety of the usual analogue-style models (low- high- and band-pass, and notch) alongside a variety of combs, flangers and phasers, not to mention ring modulation, formant filter, sample- and-hold and various more esoteric types.

Modulation is handled by an intuitive drag-and-drop system, similar to that of Massive, but with a 32-slot mod matrix letting you see everything in one place, and advanced features such as user-editable curves and an auxiliary ‘via’ source for each slot.

In terms of modulation sources, there are three AHDSR envelopes and four LFOs shaped using the same refined LFO editor found in LFOtool. The LFOs also feature an envelope mode for building complex, multi-stage envelopes, and four macros are in place for bringing multiple parameters under unified control.

Two Chaos modulation sources can be configured in the global tab, too. These are largely intended to help invoke analogue-style nonlinearities, and they do that well, but you’ll find plenty of creative uses for them beyond that.

Visual treats

The whole Serum interface is alive with animated visualisations that make it easy to see what’s modulating what – from dots that move on envelopes as they’re triggered, to oscillator waveforms that twist and warp as they evolve.

One of the most interesting visualisations is that of the unison function found on Oscillators A and B, which gives a representation of how many voices are stacked (from 2-16), as well as their relative volume levels and detune positions.

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The unison feature reminds us of Synapse Audio’s Dune 2, and like that synth, Serum offers a selection of five stacking modes, including “Super”, which appears to replicate the supersaw unison found on Roland’s classic JP-8000.

This sounds huge, but you may find that playing chords with heavy unison really starts to burden your CPU – an issue that Dune 2 doesn’t suffer from. Serum’s oscillators are dramatically cleaner-sounding, though, and you can take the default 4x oversampling down to 2x if more notes or instances is your priority (or, indeed, go up to 8x if fidelity is your priority).

A shot in the arm

We’ve only just scratched the surface of Serum here, which has so many deep and advanced features in its locker that we couldn’t possibly hope to fully convey everything it can do in just two pages.

This is a must-have instrument for the serious sound designer, although even preset junkies will be thrilled with the 450+ excellent factory patches. We’re not being overdramatic when we say that it’s quite possibly the most sonically versatile synth we’ve ever used, and certainly one of the best sounding.

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The synthesizer dreams did not seem to exist: A wavetable synthesizer with an interface workflow sound, visual and creative truly high quality to create and alter sounds it fun instead of tedious, and the ability to “drill down” when desired. create / import / edit / morph tables waves and manipulate in real-time playback. Serum has an integrated wavetable editor, you can create your own wavetables in several ways. Import audio files directly from audio serum has a variety of methods and options for analyzing the audio to divide it into individual waveforms. You can import wavetables a single cycle, of course, and many at once (with integrated sorting options or manual reordering).

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ULTRA-CLEAN OSCILLATORS
Wavetables reproduction requires a digital resampling to play different frequencies. Without considerable care and a lot of number crunching, this process will create audible artifacts. Artifacts mean you are (perhaps unknowingly) agglomerating your mix with tones / unwanted frequencies. Many popular wavetable synths are surprisingly bad for suppressing artifacts: even with a high quality setting, some artifacts created as high as -36 dB to -60 dB (level difference between the fundamental artifacts) that are well audible and in addition to muffle often I wanted the highest audible frequencies in the process, to try to remove this unwanted sound. Serum, playback oscillators Native (default) operates resampling ultra high precision, producing a signal-noise inaudible incredibly (for example, -150 dB in a sawtooth reproduced 1kHz 44100). This requires a lot of calculations, so that reproduction oscillator Serum is optimized aggressively using SSE2 instructions to enable this high quality reproduction without taxing your CPU more than does the typical soft synthesizer (decent quality ). Serum Load and we believe it will note both what he hears (solid high frequencies extending flat to the limits of hearing) and which does not hear (no undesirable sludge or aliblancos aliasing). – just good, clean sound). so the reproduction Serum oscillator is optimized aggressively using SSE2 instructions to enable this high quality reproduction without taxing more than it does the typical soft synthesizer (decent quality) your CPU. Serum Load and we believe it will note both what he hears (solid high frequencies extending flat to the limits of hearing) and which does not hear (no undesirable sludge or aliblancos aliasing). – just good, clean sound). so the reproduction Serum oscillator is optimized aggressively using SSE2 instructions to enable this high quality reproduction without taxing more than it does the typical soft synthesizer (decent quality) your CPU. Serum Load and we believe it will note both what he hears (solid high frequencies extending flat to the limits of hearing) and which does not hear (no undesirable sludge or aliblancos aliasing). – just good, clean sound). flat extending to the limits of hearing) and which does not hear (no undesirable sludge or aliblancos aliasing). – just good, clean sound). flat extending to the limits of hearing) and which does not hear (no undesirable sludge or aliblancos aliasing). – just good, clean sound).

MODULATION – WORKS THE WAY YOU WANT
Modulation system allows drag and drop mod connections between sources and destinations. Do you want an LFO to control the filter cut? Simply drag the title LFO knob to court. This connection LFO-> Filter now appear in the Mod Matrix. In other words, you have two views / approaches to create and modify their modulations: Sometimes a list is nice, sometimes just want the job done quickly and easily.

HANDLING IN REAL TIME IN MOTION
Besides move through the set of waveform tables (up to 256 comprise a single oscillator), you can manipulate the waveform in a separate real – time process called Warp. This allows the FM / AM / RM / Oscillator synchronization and many other ways to modify the waveform, including “Remap” modes: a graphics editor to draw your own custom table manipulations.

FILTER TYPES
Serum includes all types of filters found in LFOTool plus some new ones. The Flanger, Phasers and Comb filters can all make a key track the musical note played. Dual filter types let you control or switch between filter types. Be creative with atypical processes such as downsampling filters or unique filter types that were not found in any previous part, as the French LPF dirty sound.

SUITE INTEGRATED EFFECTS
A rack of effects modules with 10 effects lets you take your sound to the finish line in Serum. The effects can be rearranged to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful in monophonic sound synthesizer. For example, apply an LFO to control the size of reverberation or dry / wet, or speed to control the amount of distortion. Many of these effects and modes were created only for Serum, so there are many different effects to choose, as Hyper, simulating amounts of unison (additional) or a double waveshaper which allows a distortion that can turn between two separate waveforms .

UNISON ADVANCED
Serum lets you stack a single oscillator to use up to 16 voices. Each of the oscillators wavetable has a number of advanced parameters unison. Stack settings allow layers of notes (eg octave) for a fuller sound for one-touch Note. Set voices in unison so that everyone has their unique waveform while the configuration Pos. Unison WT, or have all skew differently with fire control unison. A variety of modes unison oscillator tuning allow you to get the sound of the stack flowering or milling as desired.

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